
A speakeasy-style games and media room — dim, warm-toned lighting, a vintage brass plaque, a framed film poster — is designed around low light and intentional shadow, which changes the brief for a speaker finish. A pale or reflective speaker would catch every point of light in a room built to avoid exactly that. Bonsai was specified in black finish, mounted on a black-and-tan fluted slat wall.
Case Study at a Glance
- Room: speakeasy-style games and media room
- Product: Bonsai (12mm slim-array)
- Mounting surface: black-and-tan fluted slat wall
- Finish: black aluminium
- Goal: sound that recedes into deliberately dim, moody lighting
Finish selection as a function of ambient light, not just wall colour
Most finish decisions in this series were driven by wall colour or material — but in a deliberately dim room, ambient light level matters more than the wall's actual colour. A pale finish in a dark room catches every stray light source and becomes a small bright point wherever it's mounted, regardless of what colour the wall behind it is; black finish avoids that regardless of the wall tone, which is why it was specified here even against a wall with warm tan elements.

Black finish for low-light rooms
In brighter rooms, XSCACE speakers are often chosen to match or contrast a wood tone directly. In a deliberately dim room, black finish serves a different purpose: it doesn't catch ambient light the way a champagne or white finish would, so the speaker recedes into shadow rather than becoming a small bright point against the dark walls.
Fluted slats as camouflage
The black-and-tan fluted slat wall already breaks up light and reflection by design — mounting Bonsai within that texture, rather than on a flat adjacent wall, let the speaker borrow the wall's own visual noise as cover.
The system
An Air Amp handles wireless streaming for the room, with an Acacia 6 Powered subwoofer adding low-end weight suited to a games room where music, film dialogue, and ambient sound all need to carry.


